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; born April 24, 1942) is an American singer, actress, and filmmaker.

In a career spanning six decades, she has achieved success in multiple fields of entertainment and has been recognized with two Academy Awards, She is among a small group of entertainers who have been honored with an Emmy, Grammy, Oscar, and Tony Award – though only three were competitive awards – and is one of only two artists in that group who have also won a Peabody.

Streisand began her education at the Jewish Orthodox Yeshiva of Brooklyn when she was five.

There, she was considered to be bright and extremely inquisitive about everything; however, she lacked discipline, often shouting answers to questions out of turn.

The star in the play was Susan Strasberg, whose acting she wanted to emulate if ever given the chance.

To help achieve that goal, Streisand began spending her spare time in the library, studying the biographies of various stage actresses such as Eleanora Duse and Sarah Bernhardt.

She also joined the Freshman Chorus and Choral Club, where she sang with another choir member and classmate, Neil Diamond.

She starred in the critically acclaimed Funny Girl, for which she won the Academy Award and Golden Globe Award for Best Actress.

During a visit to the Catskills when Streisand was 13, she told Rosie O'Donnell, she and her mother recorded some songs on tape.

That session was the first time Streisand ever asserted herself as an artist, which also became her "first moment of inspiration" as an artist.

Her other films include The Owl and the Pussycat, The Way We Were, and A Star Is Born, for which she received her second Academy Award, composing music for the love theme "Evergreen", the first woman to be honored as a composer.

The film won an Oscar for Best Score and a Golden Globe for Best Motion Picture Musical; Streisand received the Golden Globe Award for Best Director, the first (and to date only) woman to win that award.

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In addition, she began reading novels and plays, including some by Shakespeare and Ibsen, and also on her own, studied the acting theories of Konstantin Stanislavski and Michael Chekhov.

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